{"id":26851,"date":"2015-03-25T10:57:37","date_gmt":"2015-03-25T10:57:37","guid":{"rendered":"https:\/\/tresculturas.org\/tresculturas\/?post_type=tribe_events&#038;p=26851"},"modified":"2015-03-25T10:57:37","modified_gmt":"2015-03-25T10:57:37","slug":"les-mardis-du-cinema-rabia-tunis-printemps-tunisien","status":"publish","type":"tribe_events","link":"https:\/\/tresculturas.org\/en\/actividad\/les-mardis-du-cinema-rabia-tunis-printemps-tunisien\/","title":{"rendered":"Les Mardis du Cin\u00e9ma. 'Rabi'a Tunis' (Printemps tunisien)"},"content":{"rendered":"<p>More than four years after the beginning of what has been called the \"Jasmine Revolution\", Tunisia seems to have found the path to democratic normality, even if, as recent events have shown, it is not free of shocks. The adoption of a new constitution, the experience of the Islamist government in Ennahdha and the recent electoral victory of the secularist party Nida'a Tunis testify to this.<\/p>\n<p>In this new, apparently stable socio-political context, changes are taking place in the cultural sphere, and the world of cinema is no exception. The growing presence of women and the rise of the documentary genre are proof of this.<\/p>\n<p>As we commented in our previous programme, <em>Militant women<\/em>The opportunity offered by the changes brought about by the pro-democratic movements has been used by women filmmakers to establish themselves in an activity where they have always been present. In the specific case of Tunisia, it is with the emergence of the new millennium in particular that a major effort has been made by filmmakers such as Nadia El-Fani and Moufida Tlatli, among others, who represent the challenges of the generation of democracy.<\/p>\n<p>A democracy that also facilitates the circumstances for the making of documentaries, a genre that was impossible during the dictatorship, but which has retained its status as a tool for reflection, reflection and criticism of reality.<\/p>\n<p>With this programme, we aim to provide a varied representation of films produced in post-revolutionary Tunisia and made by filmmakers such as Hinde Boujemaa and Kaouther Ben Hania. Among these films, documentaries will accompany a long film by Raja Amari, <em>Tunisian Spring<\/em>which will be presented for the first time in Spain, and whose translation and subtitle in Spanish have been assured by the Fondation Trois Cultures.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Tuesday 28 April<\/strong><\/p>\n<p><strong><em>Rabi'a Tunis <\/em><\/strong>(Printemps tunisien).<\/p>\n<p>Raja Amari (Tunisia, 2014, 92 min.).<\/p>\n<p><strong>This film was translated and subtitled in Spanish by the Fondation Trois Cultures.<\/strong><\/p>\n<p><strong>Free entry with limited capacity.<\/strong><\/p>","protected":false},"excerpt":{"rendered":"<p>Lorsque plus de 4 ans se sont \u00e9coul\u00e9s depuis le d\u00e9but de ce qu&#8217;on a appel\u00e9 la \u00abR\u00e9volution du jasmin\u00bb, la Tunisie semble avoir trouv\u00e9 la voie de la normalit\u00e9 [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":22398,"template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":""},"tags":[],"tribe_events_cat":[],"class_list":["post-26851","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Les Mardis du Cin\u00e9ma. &#039;Rabi\u2019a Tunis&#039; (Printemps tunisien) | Fundaci\u00f3n Tres Culturas<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tresculturas.org\/en\/actividad\/les-mardis-du-cinema-rabia-tunis-printemps-tunisien\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Les Mardis du Cin\u00e9ma. &#039;Rabi\u2019a Tunis&#039; (Printemps tunisien) | Fundaci\u00f3n Tres Culturas\" \/>\n<meta property=\"og:description\" content=\"Lorsque plus de 4 ans se sont \u00e9coul\u00e9s depuis le d\u00e9but de ce qu&#8217;on a appel\u00e9 la \u00abR\u00e9volution du jasmin\u00bb, la Tunisie semble avoir trouv\u00e9 la voie de la normalit\u00e9 [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/tresculturas.org\/en\/actividad\/les-mardis-du-cinema-rabia-tunis-printemps-tunisien\/\" \/>\n<meta property=\"og:site_name\" content=\"Fundaci\u00f3n Tres Culturas\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/TresCulturas\" \/>\n<meta property=\"og:image\" content=\"https:\/\/tresculturas.org\/f3c\/wp-content\/uploads\/2017\/09\/AMARI_Raja_2014_Printemps-tunisien_00_fr-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"600\" \/>\n\t<meta property=\"og:image:height\" content=\"454\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@FunTresCulturas\" \/>\n<meta name=\"twitter:label1\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/tresculturas.org\\\/actividad\\\/les-mardis-du-cinema-rabia-tunis-printemps-tunisien\\\/\",\"url\":\"https:\\\/\\\/tresculturas.org\\\/actividad\\\/les-mardis-du-cinema-rabia-tunis-printemps-tunisien\\\/\",\"name\":\"Les Mardis du Cin\u00e9ma. &#039;Rabi\u2019a Tunis&#039; 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