{"id":21072,"date":"2017-04-11T12:33:58","date_gmt":"2017-04-11T12:33:58","guid":{"rendered":"https:\/\/tresculturas.org\/tresculturas\/?post_type=tribe_events&#038;p=21072"},"modified":"2017-04-11T12:33:58","modified_gmt":"2017-04-11T12:33:58","slug":"catedra-al-andalus-cuotas-autoria-la-catedral-sevilla-1172-2014","status":"publish","type":"tribe_events","link":"https:\/\/tresculturas.org\/fr\/actividad\/catedra-al-andalus-cuotas-autoria-la-catedral-sevilla-1172-2014\/","title":{"rendered":"C\u00e1tedra Al-\u00c1ndalus &#039;Quotas de autor\u00eda en la Catedral de Sevilla (1172-2014)&amp;#039 ;"},"content":{"rendered":"<p>La session d'avril de la Chaire Al-Andalus sera consacr\u00e9e \u00e0 la\u00a0<em><strong>Les quotas d'auteurs dans la cath\u00e9drale de S\u00e9ville (1172-2014)<\/strong><\/em>\u00e0 travers la conf\u00e9rence d'Alfonso Jim\u00e9nez Mart\u00edn, architecte et conservateur de la cath\u00e9drale de S\u00e9ville de 1979 \u00e0 2015. Cette conf\u00e9rence aura lieu le 27 avril \u00e0 19h30 au si\u00e8ge de la Fundaci\u00f3n Tres Culturas.<\/p>\n<p>On sait que la cath\u00e9drale de S\u00e9ville fut commenc\u00e9e comme aljama de la ville almohade en 1172 et achev\u00e9e en 1198 ; les donn\u00e9es de cette \u00e9tape sont exceptionnelles par leur rigueur, leur pr\u00e9cision et leur \u00e9tendue, puisqu'elles permettent m\u00eame de conna\u00eetre les noms de trois de ses \"auteurs\" (A\u1e25mad b. B\u0101su, cAl\u012b al-Gum\u0101r\u012b et Ab\u016b l-Lay\u1e6f al-Siq\u012bll\u012b) et de supposer celui d'un autre (al-Hajj al-Jayy Ya'is). La grande \u0153uvre gothique, commenc\u00e9e en 1433 et achev\u00e9e pour l'essentiel en 1506, fut dirig\u00e9e successivement par une s\u00e9rie d'architectes dont les noms et les dates nous sont connus avec pr\u00e9cision ;  Il s'agit des ma\u00eetres ogivaux Jehan Ysanbert (1433-1434), Pedro Garc\u00eda (1434-1435), Charles Gauter de Rouen (1435-1447), Antoni Dalmau (1446-1449), Juan Norm\u00e1n (1449-1478), Francisco Rodr\u00edguez de Sevilla (1478-1482), Juan de Hoces (1482-1496), Sim\u00f3n de Colonia (1495-1499) et Alonso Rodr\u00edguez (1496-1512). Chacun a sa part de paternit\u00e9, c'est-\u00e0-dire aucune, comme si nous donnions la liste improbable des \"auteurs\" d'un territoire ou d'une ville.<\/p>\n<p><strong>Alfonso Jim\u00e9nez Mart\u00edn<\/strong>\u00a0<strong>(S\u00e9ville, 1946)<\/strong>\u00a0est ma\u00eetre de conf\u00e9rences \u00e0 l'universit\u00e9 de S\u00e9ville de 1968 \u00e0 2017, et professeur \u00e0 la Escuela T\u00e9cnica Superior de Arquitectura depuis 1983. Il a \u00e9t\u00e9 architecte-conservateur de la cath\u00e9drale de S\u00e9ville de 1979 \u00e0 2015. Entre 1968 et aujourd'hui, il a con\u00e7u et dirig\u00e9 106 projets de restauration, de construction, de planification, d'exposition, de congr\u00e8s et de repr\u00e9sentation publique, 66 monuments et complexes en Andalousie occidentale. En 2002, il a re\u00e7u le prix national de la restauration et, en 2012, le prix du concours Archivo Hispalense de Investigaci\u00f3n, section Histoire. Membre correspondant de l'Acad\u00e9mie royale d'histoire de Madrid (depuis 1979), membre correspondant de l'Acad\u00e9mie royale des beaux-arts de Grenade (depuis 2005) et membre titulaire de l'Acad\u00e9mie royale des sciences de S\u00e9ville (depuis 2003). Directeur de 15 th\u00e8ses de doctorat, dont plusieurs ont \u00e9t\u00e9 r\u00e9compens\u00e9es, il a publi\u00e9, seul ou en collaboration, 181 textes de recherche, dont des articles et des livres.<\/p>\n<p>Pour participer \u00e0 la conf\u00e9rence, vous devez vous inscrire \u00e0 l'avance<strong>\u00a0<\/strong><a href=\"https:\/\/goo.gl\/forms\/3FniU93FU12akWmf1\"><strong>sur ce lien.<\/strong><\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>La sesi\u00f3n de abril de la C\u00e1tedra Al-\u00c1ndalus se centrar\u00e1 en las\u00a0Cuotas de autor\u00eda en la Catedral de Sevilla (1172-2014), a trav\u00e9s de la conferencia de Alfonso Jim\u00e9nez Mart\u00edn, arquitecto [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":21073,"template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":""},"tags":[],"tribe_events_cat":[],"class_list":["post-21072","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tipologia-conferencia","tematica-cultura"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>C\u00e1tedra Al-\u00c1ndalus &#039;Cuotas de autor\u00eda en la Catedral de Sevilla (1172-2014)&#039; | Fundaci\u00f3n Tres Culturas<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tresculturas.org\/fr\/actividad\/catedra-al-andalus-cuotas-autoria-la-catedral-sevilla-1172-2014\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"C\u00e1tedra Al-\u00c1ndalus &#039;Cuotas de autor\u00eda en la Catedral de Sevilla (1172-2014)&#039; | Fundaci\u00f3n Tres Culturas\" \/>\n<meta property=\"og:description\" content=\"La sesi\u00f3n de abril de la C\u00e1tedra Al-\u00c1ndalus se centrar\u00e1 en las\u00a0Cuotas de autor\u00eda en la Catedral de Sevilla (1172-2014), a trav\u00e9s de la conferencia de Alfonso Jim\u00e9nez Mart\u00edn, arquitecto [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/tresculturas.org\/fr\/actividad\/catedra-al-andalus-cuotas-autoria-la-catedral-sevilla-1172-2014\/\" \/>\n<meta property=\"og:site_name\" content=\"Fundaci\u00f3n Tres Culturas\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/TresCulturas\" \/>\n<meta property=\"og:image\" content=\"https:\/\/tresculturas.org\/f3c\/wp-content\/uploads\/2017\/09\/info-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1037\" \/>\n\t<meta property=\"og:image:height\" content=\"627\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@FunTresCulturas\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/tresculturas.org\\\/actividad\\\/catedra-al-andalus-cuotas-autoria-la-catedral-sevilla-1172-2014\\\/\",\"url\":\"https:\\\/\\\/tresculturas.org\\\/actividad\\\/catedra-al-andalus-cuotas-autoria-la-catedral-sevilla-1172-2014\\\/\",\"name\":\"C\u00e1tedra Al-\u00c1ndalus &#039;Cuotas de autor\u00eda en la Catedral de Sevilla (1172-2014)&#039; 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