{"id":21988,"date":"2015-10-27T08:43:42","date_gmt":"2015-10-27T08:43:42","guid":{"rendered":"https:\/\/tresculturas.org\/tresculturas\/?post_type=tribe_events&#038;p=21988"},"modified":"2015-10-27T08:43:42","modified_gmt":"2015-10-27T08:43:42","slug":"martes-cine-noviembre-ciclo-iran-cine-admirado","status":"publish","type":"tribe_events","link":"https:\/\/tresculturas.org\/fr\/actividad\/martes-cine-noviembre-ciclo-iran-cine-admirado\/","title":{"rendered":"Martes de cine de noviembre. Ciclo &#039;Ir\u00e1n, el cine admirado&#039;"},"content":{"rendered":"<p>En torno al a\u00f1o 1900, con ocasi\u00f3n de un viaje a Europa, el\u00a0Sha de Ir\u00e1n Mozafar al-Din Sah Kayar asisti\u00f3 a una proyecci\u00f3n de un cinemat\u00f3grafo en Francia y qued\u00f3 tan impresionado que orden\u00f3 a su fot\u00f3grafo que comprara una c\u00e1mara Gaumont. A partir de entonces promovi\u00f3 el cine en Ir\u00e1n encargando pel\u00edculas, abriendo salas y doblando al persa multitud de pel\u00edculas francesas para disfrute del p\u00fablico.<\/p>\n<p>Ce fait explique la raison des nombreuses productions auxquelles nous sommes habitu\u00e9s de la part des r\u00e9alisateurs de ce pays et leur pr\u00e9sence dans les festivals de cin\u00e9ma les plus \u00e9litistes, o\u00f9 ils sont fr\u00e9quemment r\u00e9compens\u00e9s.<\/p>\n<p>De nombreux r\u00e9alisateurs europ\u00e9ens tels que Theo Angelopoulos, Manoel de Oliveira, Ermanno Olmi, Amos Gitai, Tony Gatlif ou Rapha\u00ebl Nadjari se sont d\u00e9clar\u00e9s de fervents admirateurs du cin\u00e9ma iranien et de films tels que\u00a0<em>Kandahar<\/em>,\u00a0<em>Les tortues volent aussi<\/em>,\u00a0<em>Bouddha a explos\u00e9 de honte<\/em>\u00a0o\u00a0<em>Personne ne sait rien des chats persans<\/em>\u00a0ont gagn\u00e9 la reconnaissance des cin\u00e9astes et du public.<\/p>\n<p>L'admiration de V\u00edctor Erice pour Abbas Kiarostami, exprim\u00e9e dans l'exposition\u00a0<em>Correspondance<\/em>qui reproduit un \u00e9change de lettres sous forme audiovisuelle entre ces deux r\u00e9alisateurs cultes, le visage le plus visible de ce que l'on appelle le nouveau cin\u00e9ma iranien.<\/p>\n<p>Dans ce cycle, nous pr\u00e9sentons quatre films qui peuvent \u00eatre consid\u00e9r\u00e9s comme des joyaux du cin\u00e9ma iranien :\u00a0<em><strong>Trop loin, trop pr\u00e8s<\/strong><\/em>\u00a0(<em>Kheili dour, kheili nazdik<\/em>, 2005) y\u00a0<em>Un morceau de sucre<\/em>\u00a0(<em>Ye habe ghand<\/em>(2011), par Seyyed Reza Mir-Karimi ;\u00a0<em>L'or et le cuivre<\/em>de Homayoun Assadian, un film soufi prim\u00e9 ; et\u00a0<em>Le puits de peinture<\/em>de la jeune r\u00e9alisatrice Maziaar Miri.<\/p>\n<p><span style=\"text-decoration: underline;\"><strong>Programmation<\/strong><\/span><\/p>\n<p><strong><u>&#8211; 3 de noviembre, 20.30 horas.<\/u><\/strong><\/p>\n<p><em><strong>Trop loin, trop pr\u00e8s<\/strong><\/em>\u00a0(<em>Kheili dour, kheili nazdik<\/em>).<\/p>\n<p>R\u00e9alis\u00e9 par Seyyed Reza Mir-Karimi. Iran, 2005, 121 minutes.<\/p>\n<p><span style=\"text-decoration: underline;\"><strong>&#8211; 10 de noviembre, 20.30 horas.<\/strong><\/span><\/p>\n<p><em>Un morceau de sucre<\/em>\u00a0(<em>Ye habe ghand<\/em>).<\/p>\n<p>R\u00e9alis\u00e9 par Seyyed Reza Mir-Karimi. Iran, 2011, 116 minutes.<\/p>\n<p><span style=\"text-decoration: underline;\"><strong>&#8211; 17 de noviembre, 20.30 horas.<\/strong><\/span><\/p>\n<p><em>Or et cuivre<\/em>.<\/p>\n<p>R\u00e9alis\u00e9 par Homayoun Assadian. Iran, 2011, 97 minutes.<\/p>\n<p><strong><u>&#8211; 24 de noviembre, 20.30 horas.<\/u><\/strong><\/p>\n<p><strong><em>Le puits de peinture<\/em><\/strong>\u00a0(<em>Maziaar Miri, Le bassin de peinture<\/em>).<strong><br \/>\n<\/strong><\/p>\n<p>R\u00e9alis\u00e9 par Howze Naghashi. Iran, 2013, 90 minutes.<\/p>\n<p><strong>Todas las pel\u00edculas se exhibir\u00e1n en versi\u00f3n original subtitulada al espa\u00f1ol. Entrada libre hasta completar aforo.<\/strong><\/p>\n<p><strong>En collaboration avec l'ambassade de la R\u00e9publique d'Iran.<\/strong><\/p>\n<p><a href=\"http:\/\/www.tresculturas.org\/f3c\/wp-content\/uploads\/2015\/10\/Logotipo-Consejeria-cine-noviembre.bmp\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-15546\" src=\"http:\/\/www.tresculturas.org\/f3c\/wp-content\/uploads\/2015\/10\/Logotipo-Consejeria-cine-noviembre.bmp\" alt=\"Logotipo Consejeria cine noviembre\" width=\"82\" height=\"94\" \/><\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>En torno al a\u00f1o 1900, con ocasi\u00f3n de un viaje a Europa, el\u00a0Sha de Ir\u00e1n Mozafar al-Din Sah Kayar asisti\u00f3 a una proyecci\u00f3n de un cinemat\u00f3grafo en Francia y qued\u00f3 [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":21836,"template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":""},"tags":[],"tribe_events_cat":[],"class_list":["post-21988","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tipologia-cine"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Martes de cine de noviembre. Ciclo &#039;Ir\u00e1n, el cine admirado&#039; | Fundaci\u00f3n Tres Culturas<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tresculturas.org\/fr\/actividad\/martes-cine-noviembre-ciclo-iran-cine-admirado\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Martes de cine de noviembre. 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