{"id":226805,"date":"2025-09-16T10:55:50","date_gmt":"2025-09-16T08:55:50","guid":{"rendered":"https:\/\/tresculturas.org\/?post_type=tribe_events&#038;p=226805"},"modified":"2025-10-01T12:20:46","modified_gmt":"2025-10-01T10:20:46","slug":"martes-de-cine-en-octubre-ciclo-flamenco-el-lebrijano-un-gitano-universal","status":"publish","type":"tribe_events","link":"https:\/\/tresculturas.org\/fr\/actividad\/martes-de-cine-en-octubre-ciclo-flamenco-el-lebrijano-un-gitano-universal\/","title":{"rendered":"Cin\u00e9ma du mardi en octobre. Cycle flamenco - \"El lebrijano, un gitano universel\"."},"content":{"rendered":"<h4>Cette ann\u00e9e encore, la Fundaci\u00f3n Tres Culturas s'engage \u00e0 montrer le duende et le myst\u00e8re du flamenco \u00e0 travers le cin\u00e9ma.<\/h4>\n<p>Dans le pass\u00e9 comme de nos jours, de nombreux cin\u00e9astes se sont plong\u00e9s dans la connaissance, l'investigation et la transposition \u00e0 l'\u00e9cran des grandes figures du chant, de la danse et de la guitare flamenco. Dans ce cycle, nous pourrons appr\u00e9cier \"Fandango\", l'un des palos les plus divers du flamenco, r\u00e9alis\u00e9 par le r\u00e9alisateur prim\u00e9 de Huelva, Remedios Malv\u00e1rez et Arturo And\u00fajar. Nous en apprendrons plus sur le coplero de Malaga Miguel Molina \u00e0 travers les yeux du prolifique r\u00e9alisateur Paco Mill\u00e1n et les lettres re\u00e7ues et envoy\u00e9es par le protagoniste. Nous plongerons \u00e9galement dans la trajectoire artistique de deux grands artistes de renom avec le r\u00e9alisateur Alexis Morente d'Algeciras : \"Camar\u00f3n : Flamenco et r\u00e9volution\" et Sergio Crespo, \"El Lebrijano, un gitan universel\".<\/p>\n<p><strong>\ud83c\udfac <\/strong><strong>EL LEBRIJANO, UN GITAN UNIVERSEL <\/strong><\/p>\n<p><strong>Sergio Crespo, Espagne, 2025, 98 min.<\/strong><\/p>\n<p><strong>Synopsis : <\/strong>Un voyage \u00e0 travers la vie de \"El Lebrijano\", son caract\u00e8re et sa capacit\u00e9 \u00e0 explorer de nouvelles voies. Le meilleur exemple en est son disque \"Encuentros\" (1985), dans lequel il associe son chant flamenco \u00e0 l'Orchestre andalou de Tanger, ce qui bouleverse compl\u00e8tement le panorama musical de l'\u00e9poque et marque une nouvelle orientation dans le chant flamenco. El Lebrijano repr\u00e9sente le chant engag\u00e9, car il ne voulait pas seulement changer la musique, mais aussi la soci\u00e9t\u00e9, comme le disent ceux qui l'ont connu. Sa stature est d\u00e9montr\u00e9e par l'empreinte qu'il a laiss\u00e9e et par le fait qu'il a franchi des \u00e9tapes importantes, comme celle d'\u00eatre l'un des premiers cantaores \u00e0 se produire au Teatro Real, un centre d'op\u00e9ra.<\/p>\n<p>\ud83d\udde3\ufe0f Pr\u00e9sentation du r\u00e9alisateur Sergio Crespo et du producteur Juan Cabral.<\/p>","protected":false},"excerpt":{"rendered":"<p>Un a\u00f1o m\u00e1s la Fundaci\u00f3n Tres Culturas apuesta por mostrar el duende y misterio del flamenco a trav\u00e9s del cine. Tanto en \u00e9pocas pasadas como en la actualidad, muchos cineastas [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":226807,"template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":""},"tags":[279,222,268],"tribe_events_cat":[6],"class_list":["post-226805","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tag-ciclo-de-cine","tag-flamenco","tag-martes-de-cine","tipologia-cine","tematica-cultura","tribe_events_cat-cine","cat_cine"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Martes de cine en octubre. 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