{"id":67601,"date":"2020-04-13T00:32:31","date_gmt":"2020-04-12T22:32:31","guid":{"rendered":"https:\/\/tresculturas.org\/?post_type=tribe_events&#038;p=67601"},"modified":"2020-04-13T00:32:31","modified_gmt":"2020-04-12T22:32:31","slug":"y-la-novia-cerro-la-puerta","status":"publish","type":"tribe_events","link":"https:\/\/tresculturas.org\/fr\/actividad\/y-la-novia-cerro-la-puerta\/","title":{"rendered":"Et la mari\u00e9e ferma la porte\" : la complexit\u00e9 de la soci\u00e9t\u00e9 isra\u00e9lienne sort de l'armoire"},"content":{"rendered":"<p>Une nouvelle rubrique dans laquelle nous publions p\u00e9riodiquement des comptes rendus d'\u0153uvres remarquables de la litt\u00e9rature m\u00e9diterran\u00e9enne et d'auteurs des pays du bassin m\u00e9diterran\u00e9en. Ce deuxi\u00e8me num\u00e9ro est consacr\u00e9 \u00e0 l'\u0153uvre de Ronit Matalon,\u00a0<em>Et la mari\u00e9e a ferm\u00e9 la porte,<\/em> r\u00e9cemment traduite en espagnol.<\/p>\n<p><strong>Fiche technique :<\/strong><\/p>\n<p><strong><em>Et la mari\u00e9e a ferm\u00e9 la porte<\/em> <\/strong><br \/>\n<strong>Ronit Matalon<\/strong><br \/>\n<strong>Trad. Ana Mar\u00eda Bejarano<\/strong><br \/>\n<strong>\u00c9ditorial minuscule, 2020<\/strong><br \/>\n<strong>144 pages<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>Une \u0153uvre de l'\u00e9crivaine isra\u00e9lienne Ronit Matalon (1959-2017), auteur de neuf romans et laur\u00e9ate de nombreux prix litt\u00e9raires, est enfin traduite en espagnol. Y la novia cerr\u00f3 la puerta (Editorial Min\u00fascula, 2020) est le dernier ouvrage de Matalon et nous parvient une fois de plus gr\u00e2ce au travail d'un \u00e9diteur ind\u00e9pendant, dans une magnifique traduction de l'h\u00e9breu par Ana Mar\u00eda Bejarano.<\/p>\n<p>Fille d'immigr\u00e9s juifs d'\u00c9gypte, Ronit Matalon a travaill\u00e9 comme professeur de litt\u00e9rature \u00e0 l'universit\u00e9 de Ha\u00effa, mais aussi comme reporter pour le journal Haaretz, pour lequel elle a couvert Gaza et la Cisjordanie de 1987 \u00e0 1993. D\u00e8s le d\u00e9but, ses \u0153uvres ont \u00e9t\u00e9 acclam\u00e9es par le public et la critique, certaines devenant des best-sellers et recevant des prix prestigieux, tels que le prix du Premier ministre pour les \u0153uvres litt\u00e9raires en h\u00e9breu et le prix Bernstein. De la fin des ann\u00e9es 1990 \u00e0 aujourd'hui, ses romans ont \u00e9galement \u00e9t\u00e9 traduits dans d'autres langues telles que l'allemand, le n\u00e9erlandais, l'anglais, le fran\u00e7ais, l'italien, le turc et d'autres encore.<\/p>\n<p>Laur\u00e9at du prix Brenner 2017, d\u00e9cern\u00e9 par l'Association des \u00e9crivains h\u00e9bra\u00efques d'Isra\u00ebl et la Fondation de la famille Haft, And the Bride Shut the Door met en sc\u00e8ne une mari\u00e9e in absentia qui se clo\u00eetre dans la chambre de ses parents quelques heures avant la c\u00e9l\u00e9bration de son mariage. La r\u00e9clusion de la mari\u00e9e sert \u00e0 rassembler sous un m\u00eame toit les diff\u00e9rents personnages qui tissent la profusion de th\u00e8mes sous-jacents de ce roman. Les relations sont analys\u00e9es \u00e0 travers les yeux de Mati, le futur mari d\u00e9sempar\u00e9 dont la vision de l'amour subira des convulsions \u00e0 la mesure du drame de la situation. Ilan, le cousin de la mari\u00e9e, est un Narcisse aux yeux verts qui aime porter les v\u00eatements de sa cousine et qui n'a rien \u00e0 envier \u00e0 l'arm\u00e9e isra\u00e9lienne. La s\u0153ur de la mari\u00e9e, Nathalie, a disparu \u00e0 l'\u00e2ge de 11 ans dans des circonstances \u00e9tranges, ce qui a conduit certains membres de la famille \u00e0 soup\u00e7onner un terrorisme palestinien. La question du conflit palestinien appara\u00eet \u00e9galement dans la pi\u00e8ce par l'interm\u00e9diaire d'Adnan, un ouvrier de la compagnie d'\u00e9lectricit\u00e9 de l'Autorit\u00e9 palestinienne, bon ami d'une connaissance de la famille, qui a l'habitude d'atteindre la fen\u00eatre de la chambre o\u00f9 est enferm\u00e9e la mari\u00e9e avec sa grue.<\/p>\n<p>La r\u00e9union claustrophobe des familles des futurs mari\u00e9s, oblig\u00e9es de vivre ensemble dans le petit salon de l'appartement o\u00f9 est enferm\u00e9e la mari\u00e9e, repr\u00e9sente le choc entre les deux grandes traditions qui luttent pour d\u00e9fendre leur place dans la d\u00e9finition de l'identit\u00e9 nationale juive et leur pouvoir correspondant : les Azkenazi, descendants des Juifs d'Europe centrale et orientale, et les Mizrachi, Juifs du Moyen-Orient et d'Afrique du Nord.<\/p>\n<p>Et, en arri\u00e8re-plan, les 500 invit\u00e9s du mariage qui attendent dans une salle des f\u00eates, ainsi que l'orchestre et le banquet, ajoutent de la pression \u00e0 la marmite o\u00f9 tous ces \u00e9l\u00e9ments sont en train de cuire. Tout au long du roman, Ronit Matalon fait preuve d'un humour sibyllin et mordant et d'un talent pour d\u00e9crire les personnages, ce qui conduit parfois \u00e0 des situations hilarantes - comme c'est le cas avec l'engagement du service d'urgence des \"Mari\u00e9es repenties\", compos\u00e9 d'une \u00e9quipe de psychiatres pour s'occuper de ces cas. Ce type d'humour s'inscrit \u00e9galement dans une tradition repr\u00e9sent\u00e9e dans la litt\u00e9rature isra\u00e9lienne contemporaine dans des romans comme Black Box d'Amos Oz, A Horse Walks into a Bar de David Grossman et dans le travail d'auteurs comme Etgar Keret, mais aussi dans celui de l'\u00e9crivain palestinien isra\u00e9lien Sayed Kashua, d\u00e9montrant qu'il y a un humour qui vient de la terre et qui ne semble pas comprendre les passeports.<\/p>\n<p>Et la mari\u00e9e ferma la porte rend hommage \u00e0 la po\u00e9tesse, dramaturge, critique litt\u00e9raire et traductrice multilingue Lea Goldberg (1911-1970), dont le visage, accompagn\u00e9 d'un de ses po\u00e8mes, figure sur les billets de 100 shekels en Isra\u00ebl. Et s'il est vrai que ce court roman se pr\u00eate \u00e0 diff\u00e9rentes interpr\u00e9tations, c'est sans doute dans cet hommage qu'il trouve son sens ultime.<\/p>\n<p>&nbsp;<\/p>\n<h4>Par Natalia Arce<\/h4>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Nueva secci\u00f3n en la que peri\u00f3dicamente se publican rese\u00f1as de obras destacadas de la literatura mediterr\u00e1nea y de autores procedentes de pa\u00edses de la cuenca mediterr\u00e1nea. Esta segunda entrega est\u00e1 [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":67446,"template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":""},"tags":[],"tribe_events_cat":[],"class_list":["post-67601","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>`Y la novia cerr\u00f3 la puerta\u00b4: La complejidad de la sociedad israel\u00ed sale del armario | Fundaci\u00f3n Tres Culturas<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tresculturas.org\/fr\/actividad\/y-la-novia-cerro-la-puerta\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"`Y la novia cerr\u00f3 la puerta\u00b4: La complejidad de la sociedad israel\u00ed sale del armario | Fundaci\u00f3n Tres Culturas\" \/>\n<meta property=\"og:description\" content=\"Nueva secci\u00f3n en la que peri\u00f3dicamente se publican rese\u00f1as de obras destacadas de la literatura mediterr\u00e1nea y de autores procedentes de pa\u00edses de la cuenca mediterr\u00e1nea. 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